{"id":677,"date":"2024-12-09T13:32:46","date_gmt":"2024-12-09T12:32:46","guid":{"rendered":"https:\/\/igualdad-constitucional.umh.es\/?page_id=677"},"modified":"2024-12-11T17:34:09","modified_gmt":"2024-12-11T16:34:09","slug":"%e2%9c%a8recomendaciones-t5%e2%9c%a8","status":"publish","type":"page","link":"https:\/\/igualdad-constitucional.umh.es\/ca\/%e2%9c%a8recomendaciones-t5%e2%9c%a8\/","title":{"rendered":"<span lang=\"es\">(Espa\u00f1ol) \u2728Recomendaciones T5\u2728<\/span>"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; background_enable_pattern_style=&#8221;on&#8221; background_pattern_style=&#8221;zig-zag-2&#8243; background_pattern_color=&#8221;rgba(0,0,0,0.03)&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;|700|||||||&#8221; text_text_color=&#8221;#fdda35&#8243; text_font_size=&#8221;27px&#8221; text_orientation=&#8221;center&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Recomendaciones<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Abhaya Libre|600|||||||&#8221; text_text_color=&#8221;#000000&#8243; text_font_size=&#8221;45px&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;center&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center\">T5. Las condiciones de ejercicio de los derechos: titularidad<\/p>\n<p>[\/et_pb_text][et_pb_divider color=&#8221;#fdda35&#8243; divider_weight=&#8221;4px&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;6%&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;-10px||||false|false&#8221; custom_padding=&#8221;||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Abhaya Libre||||||||&#8221; text_text_color=&#8221;#fdda35&#8243; text_font_size=&#8221;36px&#8221; text_orientation=&#8221;center&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3 class=\"wnd-align-center\"><span class=\"wsw-02\"><em>Los extranjeros gozar\u00e1n en Espa\u00f1a de las libertades p\u00fablicas que garantiza el presente T\u00edtulo en los t\u00e9rminos que establezcan los tratados y la ley<\/em><\/span><\/h3>\n<h3 class=\"wnd-align-center\"><strong><span class=\"wsw-02\"><em>(13.1 CE)<\/em><\/span><\/strong><\/h3>\n<p>[\/et_pb_text][et_pb_divider color=&#8221;#000000&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;1px&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;||9px|||&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_row column_structure=&#8221;1_4,1_4,1_4,1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;https:\/\/igualdad-constitucional.umh.es\/files\/2024\/12\/descarga-3.jpeg&#8221; title_text=&#8221;descarga-3&#8243; url_new_window=&#8221;on&#8221; align=&#8221;center&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; scroll_fade_enable=&#8221;on&#8221; scroll_fade=&#8221;0|14|14|100|0|100|100&#8243; scroll_scaling_enable=&#8221;on&#8221; scroll_scaling=&#8221;0|53|53|100|90%|100|100&#8243; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;8px&#8221; border_radii_last_edited=&#8221;off|desktop&#8221; box_shadow_style=&#8221;preset4&#8243; box_shadow_blur=&#8221;14px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; url=&#8221;https:\/\/www.filmaffinity.com\/es\/film307683.html&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Abel||||||||&#8221; text_font_size=&#8221;16px&#8221; header_3_font=&#8221;Abel|700|on||||||&#8221; header_3_text_align=&#8221;justify&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_align=&#8221;justify&#8221; hover_enabled=&#8221;0&#8243; header_3_text_shadow_style=&#8221;preset4&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>Ad\u00fa<\/h3>\n<h5><strong>Pel\u00edcula<\/strong> recomendada por M<span>arta Blasco Agull\u00f3, Mariami Khachidze Kalatozishli, Luc\u00eda L\u00f3pez Maci\u00e1, Cristian Mart\u00ednez Guill\u00f3 Campello Zurita, Jaime, Esclapez Marco, Miguel A\u0301ngel, Lin, Weifeng, Mendoza Ferna\u0301ndez, Andre\u0301s, Saiz Castan\u0303o, Iker (1\u00ba DADE 2023)<\/span><\/h5>\n<p style=\"text-align: justify\"><span>En un intento desesperado por alcanzar Europa y agazapados ante una pista de aterrizaje en Camer\u00fan, un ni\u00f1o de seis a\u00f1os y su hermana mayor esperan para colarse en las bodegas de un avi\u00f3n. No demasiado lejos, un activista medioambiental contempla la terrible imagen de un elefante, muerto y sin colmillos. No solo tiene que luchar contra la caza furtiva, sino que tambi\u00e9n tendr\u00e1 que reencontrarse con los problemas de su hija reci\u00e9n llegada de Espa\u00f1a. Miles de kil\u00f3metros al norte, en Melilla, un grupo de guardias civiles se prepara para enfrentarse a un gran n\u00famero de subsaharianos que ha iniciado el asalto a la valla. Tres historias unidas por un tema central, en las que ninguno de sus protagonistas sabe que sus destinos est\u00e1n condenados a cruzarse y que sus vidas ya no volver\u00e1n a ser las mismas.\u00a0(FILMAFFINITY)<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;https:\/\/igualdad-constitucional.umh.es\/files\/2024\/12\/descarga-4.jpeg&#8221; title_text=&#8221;descarga (4)&#8221; url_new_window=&#8221;on&#8221; align=&#8221;center&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; scroll_fade_enable=&#8221;on&#8221; scroll_fade=&#8221;0|14|14|100|0|100|100&#8243; scroll_scaling_enable=&#8221;on&#8221; scroll_scaling=&#8221;0|53|53|100|90%|100|100&#8243; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;8px&#8221; border_radii_last_edited=&#8221;off|desktop&#8221; box_shadow_style=&#8221;preset4&#8243; box_shadow_blur=&#8221;14px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Abel||||||||&#8221; text_font_size=&#8221;16px&#8221; header_3_font=&#8221;Abel|700|on||||||&#8221; header_3_text_align=&#8221;justify&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_align=&#8221;justify&#8221; hover_enabled=&#8221;0&#8243; header_3_text_shadow_style=&#8221;preset4&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>Tamaaden, de \u00c1frica a Espa\u00f1a<\/h3>\n<h5><strong>Documental<\/strong> <span>recomendado por: Carrio\u0301n Carbonell Andre\u0301s, Marti\u0301n Barredo, Oihana, Moya Navidad, Irene, Palazo\u0301n Macia\u0301, David, Pe\u0301rez Ferna\u0301ndez, A\u0301ngel, Rabhi Kharkhach, Chaima (1\u00ba DADE 2023)<\/span><\/h5>\n<p style=\"text-align: justify\"><span>En Valencia, Espa\u00f1a, Ouloulou, Bald\u00e9 y Doucour\u00e9 son tres j\u00f3venes inmigrantes de \u00c1frica \ud83c\udf0dOccidental que tratan como pueden de ganarse la vida en el d\u00eda a d\u00eda. Est\u00e1n en contacto diario con un conocido quien les indica los rituales burocr\u00e1ticos a seguir para obtener los papeles \ud83d\udcc4 para poder quedarse en Europa. Mientras tanto, en Mal\u00ed, Bakary se prepara por segunda vez para llevar a cabo el largo viaje hacia territorio europeo, esta vez tambi\u00e9n siguiendo las recomendaciones de su morabito, el l\u00edder o maestro religioso musulm\u00e1n caracter\u00edstico \u200ben \u00c1frica Occidental y en el Magreb.\u00a0<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_4,1_4,1_4,1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;https:\/\/igualdad-constitucional.umh.es\/files\/2024\/12\/The-New-Arrivals.jpg&#8221; title_text=&#8221;The New Arrivals&#8221; url_new_window=&#8221;on&#8221; align=&#8221;center&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; scroll_fade_enable=&#8221;on&#8221; scroll_fade=&#8221;0|14|14|100|0|100|100&#8243; scroll_scaling_enable=&#8221;on&#8221; scroll_scaling=&#8221;0|53|53|100|90%|100|100&#8243; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;8px&#8221; border_radii_last_edited=&#8221;off|desktop&#8221; box_shadow_style=&#8221;preset4&#8243; box_shadow_blur=&#8221;14px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; url=&#8221;https:\/\/elpais.com\/especiales\/2018\/la-odisea-de-los-nuevos-europeos\/&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Abel||||||||&#8221; text_font_size=&#8221;16px&#8221; header_3_font=&#8221;Abel|700|on||||||&#8221; header_3_text_align=&#8221;justify&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_align=&#8221;justify&#8221; hover_enabled=&#8221;0&#8243; header_3_text_shadow_style=&#8221;preset4&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>The new arrivals<\/h3>\n<h5><strong>Serie multimedia<\/strong><\/h5>\n<p style=\"text-align: justify\"><span>Una serie multimedia de largo recorrido sobre los inmigrantes y refugiados que se asientan en Europa. 500 d\u00edas, 25 vidas, cuatro peri\u00f3dicos, 1 proyecto. Un proyecto financiado por el European Journalism Centre con el apoyo de la Fundaci\u00f3n Bill &amp; Melinda Gates (EL PA\u00cdS).<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;https:\/\/igualdad-constitucional.umh.es\/files\/2024\/12\/Sin-ti\u0301tulo.jpg&#8221; title_text=&#8221;Sin ti\u0301tulo&#8221; align=&#8221;center&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; scroll_fade_enable=&#8221;on&#8221; scroll_fade=&#8221;0|14|14|100|0|100|100&#8243; scroll_scaling_enable=&#8221;on&#8221; scroll_scaling=&#8221;0|53|53|100|90%|100|100&#8243; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;8px&#8221; border_radii_last_edited=&#8221;off|desktop&#8221; box_shadow_style=&#8221;preset4&#8243; box_shadow_blur=&#8221;14px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243; show_in_lightbox=&#8221;on&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Abel||||||||&#8221; text_font_size=&#8221;16px&#8221; header_3_font=&#8221;Abel|700|on||||||&#8221; header_3_text_align=&#8221;justify&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_align=&#8221;justify&#8221; hover_enabled=&#8221;0&#8243; header_3_text_shadow_style=&#8221;preset4&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>Go no go. Las fronteras de Europa 1998-2002. Punta Paloma, Espa\u00f1a, 2001.\u00a0<\/h3>\n<h5><strong>Fotograf\u00eda<\/strong> <span>recomendada por Anna Gallen,\u00a0RayanJakib, Xiaotong Lin, Patricia Mahiques (1\u00ba DADE 2023)<\/span><\/h5>\n<div class=\"mt-item cf\">\n<div class=\"b b-text cf\">\n<div class=\"b-c b-text-c b-s b-s-t60 b-s-b60 b-cs cf\">\n<p class=\"wnd-align-justify\"><span class=\"wsw-02\">Inmigrantes desembarcados por traficantes marroqui\u0301es en la playa. Impresio\u0301n en plata en blanco y negro sobre papel barita 60 x 80 cm. Museo Nacional de Historia y Culturas de la Inmigracio\u0301n, CNHI \u00a9 Ad Van Denderen.\u00a0<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"mt-item cf\">\n<div class=\"b-img b-img-default b b-s cf wnd-orientation-landscape wnd-type-image\" id=\"wnd_ImageBlock_252518\">\n<div class=\"b-img-w\">\n<div class=\"b-img-c\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_4,1_4,1_4,1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;https:\/\/igualdad-constitucional.umh.es\/files\/2024\/12\/Imagen-1-6.png&#8221; title_text=&#8221;Imagen 1-6&#8243; url_new_window=&#8221;on&#8221; align=&#8221;center&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; scroll_fade_enable=&#8221;on&#8221; scroll_fade=&#8221;0|14|14|100|0|100|100&#8243; scroll_scaling_enable=&#8221;on&#8221; scroll_scaling=&#8221;0|53|53|100|90%|100|100&#8243; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;8px&#8221; border_radii_last_edited=&#8221;off|desktop&#8221; box_shadow_style=&#8221;preset4&#8243; box_shadow_blur=&#8221;14px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243; url=&#8221;https:\/\/www.youtube.com\/watch?v=P3fGzxLvUMs&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Abel||||||||&#8221; text_font_size=&#8221;16px&#8221; header_3_font=&#8221;Abel|700|on||||||&#8221; header_3_text_align=&#8221;justify&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_align=&#8221;justify&#8221; hover_enabled=&#8221;0&#8243; header_3_text_shadow_style=&#8221;preset4&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>Cristales rotos<\/h3>\n<h5><strong>Tema musical del grupo: Sons of Aguirre<\/strong><span>:\u00a0Grupo valenciano de rap pol\u00edtico , con sus canciones pretenden denunciar,criticar y parodiar el capitalismo, la burgues\u00eda,la desigualdad social, el imperialismo, entre otras muchas m\u00e1s cosas. Recomendada por Carla Montes (1\u00ba DADE 2023)<\/span><\/h5>\n<p style=\"text-align: justify\"><span>minuto 0:55 al 1:25:\u00a0[\u2026]Que levante la mano el hermano que en el ser humano ha perdido la fe; A lomos de una patera vamos surcando los mares del miedo; Sabiendo que nos espera en la frontera el odio y la sangre; Tanta ceniza en los ojos como arrugados tenemos los dedos; Y una barriga que solo nos grita &#8220;qu\u00e9 hambre&#8221; (hambre); Hambre (hambre); Hambre; Que levante la mano el hermano que en el ser humano ha perdido la fe; Al que huy\u00f3 de sus tierras por culpa de guerras&#8230;.; Recibe las piedras del amanecer[\u2026]<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;https:\/\/igualdad-constitucional.umh.es\/files\/2024\/12\/descarga-3-1.jpeg&#8221; title_text=&#8221;descarga (3)-1&#8243; url_new_window=&#8221;on&#8221; align=&#8221;center&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; scroll_fade_enable=&#8221;on&#8221; scroll_fade=&#8221;0|14|14|100|0|100|100&#8243; scroll_scaling_enable=&#8221;on&#8221; scroll_scaling=&#8221;0|53|53|100|90%|100|100&#8243; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;8px&#8221; border_radii_last_edited=&#8221;off|desktop&#8221; box_shadow_style=&#8221;preset4&#8243; box_shadow_blur=&#8221;14px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243; url=&#8221;https:\/\/www.youtube.com\/watch?v=70dp_XeSRAY&amp;t=22s&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Abel||||||||&#8221; text_font_size=&#8221;16px&#8221; header_3_font=&#8221;Abel|700|on||||||&#8221; header_3_text_align=&#8221;justify&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_align=&#8221;justify&#8221; hover_enabled=&#8221;0&#8243; header_3_text_shadow_style=&#8221;preset4&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>M\u00e9xico: a bordo de &#8220;La Bestia&#8221;<\/h3>\n<h5><strong>Documental<\/strong> r<span>ecomendado por: Alex Nugent Cucalo\u0301n (1\u00ba DADE 2023)<\/span><\/h5>\n<p class=\"wnd-align-justify\"><span class=\"wsw-02\">&#8220;La Bestia&#8221; es un tren de mercanc\u00edas que atraviesa M\u00e9xico de sur a norte les permite acercarse a la frontera estadounidense. Un ahorro de tiempo relativo, pero al precio de condiciones de viaje peligrosas<br \/><\/span><\/p>\n<p class=\"wnd-align-justify\"><span class=\"wsw-02\">Vienen principalmente de El Salvador, Honduras, Guatemala o incluso M\u00e9xico, de regiones o de ciudades corrompidas por la pobreza y por el crimen relacionado con el narcotr\u00e1fico. Para numerosos candidatos al exilio clandestino el objetivo supremo es Estados Unidos.<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_4,1_4,1_4,1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;https:\/\/igualdad-constitucional.umh.es\/files\/2024\/12\/Imagen-1.png&#8221; title_text=&#8221;Imagen 1&#8243; url_new_window=&#8221;on&#8221; align=&#8221;center&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; scroll_fade_enable=&#8221;on&#8221; scroll_fade=&#8221;0|14|14|100|0|100|100&#8243; scroll_scaling_enable=&#8221;on&#8221; scroll_scaling=&#8221;0|53|53|100|90%|100|100&#8243; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;8px&#8221; border_radii_last_edited=&#8221;off|desktop&#8221; box_shadow_style=&#8221;preset4&#8243; box_shadow_blur=&#8221;14px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; url=&#8221;https:\/\/es.euronews.com\/2020\/09\/27\/jago-y-el-arte-como-arma-revolucionaria-para-cambiar-el-mundo&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Abel||||||||&#8221; text_font_size=&#8221;16px&#8221; header_3_font=&#8221;Abel|700|on||||||&#8221; header_3_text_align=&#8221;justify&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_align=&#8221;justify&#8221; hover_enabled=&#8221;0&#8243; header_3_text_shadow_style=&#8221;preset4&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>El hijo velado<\/h3>\n<h5><span class=\"wsw-06\"><span class=\"wnd-font-size-80\"><strong>Escultura<\/strong><span>\u00a0<\/span>deJacopo Cardillo. Recomendada por: Martina Bacchetta, Sara Brugnoni, Elisa Maria Drago (1\u00ba DADE 2023)<\/span><\/span><\/h5>\n<p style=\"text-align: justify\"><span>E<\/span><span class=\"wsw-02\">l artista italiano, conocido como Jago, se inspir\u00f3 a la escultura del Cristo velado para realizar una obra similar que contase una historia diferente y mas contempor\u00e1nea. El Hijo velado representa una denuncia contra la inconsciencia de la humanidad con respeto a la inmigraci\u00f3n.<\/span><\/p>\n<p class=\"wnd-align-justify\"><span class=\"wsw-02\">La escultura es s\u00edmbolo de todas las v\u00edctimas de la inmigraci\u00f3n en el mediterr\u00e1neo y en todo el mundo. El ni\u00f1o est\u00e1 tumbado en el suelo, bajo un velo ligero que cubre todo su cuerpo dejando entrever su figura. La barriga aparece hinchada como signo de los cr\u00edos que murieron ahogados en el mar intentado huir de su propio pa\u00eds para encontrar un futuro mejor.\u00a0<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;https:\/\/igualdad-constitucional.umh.es\/files\/2024\/12\/descarga-1-0.jpeg&#8221; title_text=&#8221;descarga (1)-0&#8243; url_new_window=&#8221;on&#8221; align=&#8221;center&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; scroll_fade_enable=&#8221;on&#8221; scroll_fade=&#8221;0|14|14|100|0|100|100&#8243; scroll_scaling_enable=&#8221;on&#8221; scroll_scaling=&#8221;0|53|53|100|90%|100|100&#8243; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;8px&#8221; border_radii_last_edited=&#8221;off|desktop&#8221; box_shadow_style=&#8221;preset4&#8243; box_shadow_blur=&#8221;14px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243; url=&#8221;https:\/\/www.filmaffinity.com\/es\/film866065.html&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Abel||||||||&#8221; text_font_size=&#8221;16px&#8221; header_3_font=&#8221;Abel|700|on||||||&#8221; header_3_text_align=&#8221;justify&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_align=&#8221;justify&#8221; hover_enabled=&#8221;0&#8243; header_3_text_shadow_style=&#8221;preset4&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>Mediterr\u00e1neo<\/h3>\n<h5><strong>Pel\u00edcula<\/strong> r<span>ecomendada por:\u00a0Ester Fern\u00e1ndez Fortuna,\u00a0Jos\u00e9 G\u00f3mez S\u00e1nchez,\u00a0Francisco Jos\u00e9 Nieto, L\u00f3pez\u00a0Jes\u00fas Rubio Mart\u00ednez, Andrea Garci\u0301a Go\u0301mez, Noa Gosa\u0301lbez Manuel, Ibtissam Rachidi Tonzi\u00a0 (1\u00ba DADE 2023)<\/span><\/h5>\n<p style=\"text-align: justify\"><span>Oto\u00f1o de 2015. Dos socorristas, \u00d3scar (Eduard Fern\u00e1ndez) y Gerard (Dani Rovira), viajan hasta la isla de Lesbos, en Grecia, impactados por la fotograf\u00eda de un ni\u00f1o ahogado en las aguas del Mediterr\u00e1neo. Al llegar descubren una realidad sobrecogedora: miles de personas arriesgan sus vidas cada d\u00eda cruzando el mar en precarias embarcaciones y huyendo de conflictos armados. Sin embargo, nadie ejerce labores de rescate. Junto a Esther (Anna Castillo), Nico (Sergi L\u00f3pez) y otros miembros del equipo, luchar\u00e1n por cumplir un cometido, dando apoyo a personas que lo necesitan. Para todos ellos, este viaje inicial supondr\u00e1 una odisea que marcar\u00e1 sus vidas.\u00a0(FILMAFFINITY)<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_4,1_4,1_4,1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;https:\/\/igualdad-constitucional.umh.es\/files\/2024\/12\/docu.jpeg&#8221; title_text=&#8221;docu&#8221; url_new_window=&#8221;on&#8221; align=&#8221;center&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; scroll_fade_enable=&#8221;on&#8221; scroll_fade=&#8221;0|14|14|100|0|100|100&#8243; scroll_scaling_enable=&#8221;on&#8221; scroll_scaling=&#8221;0|53|53|100|90%|100|100&#8243; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;8px&#8221; border_radii_last_edited=&#8221;off|desktop&#8221; box_shadow_style=&#8221;preset4&#8243; box_shadow_blur=&#8221;14px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243; url=&#8221;https:\/\/programamesoamerica.iom.int\/es\/materiales\/fronteras-documental&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Abel||||||||&#8221; text_font_size=&#8221;16px&#8221; header_3_font=&#8221;Abel|700|on||||||&#8221; header_3_text_align=&#8221;justify&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_align=&#8221;justify&#8221; hover_enabled=&#8221;0&#8243; header_3_text_shadow_style=&#8221;preset4&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>Fronteras<\/h3>\n<h5><strong>Documental<\/strong><span>\u00a0recomendado por: Pascual Baraza, Artjoms Bogdanovs, Aaro\u0301n Dura\u0301 y Laura Martos<\/span><\/h5>\n<p style=\"text-align: justify\"><span>En este corto documental sobre la inmigraci\u00f3n en Espa\u00f1a, personas migrantes cuentan sobre los retos que han enfrentado adapt\u00e1ndose a un nuevo pa\u00eds.<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;https:\/\/igualdad-constitucional.umh.es\/files\/2024\/12\/Maras.jpg&#8221; title_text=&#8221;Maras&#8221; url_new_window=&#8221;on&#8221; align=&#8221;center&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; scroll_fade_enable=&#8221;on&#8221; scroll_fade=&#8221;0|14|14|100|0|100|100&#8243; scroll_scaling_enable=&#8221;on&#8221; scroll_scaling=&#8221;0|53|53|100|90%|100|100&#8243; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;8px&#8221; border_radii_last_edited=&#8221;off|desktop&#8221; box_shadow_style=&#8221;preset4&#8243; box_shadow_blur=&#8221;14px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Abel||||||||&#8221; text_font_size=&#8221;16px&#8221; header_3_font=&#8221;Abel|700|on||||||&#8221; header_3_text_align=&#8221;justify&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_align=&#8221;justify&#8221; hover_enabled=&#8221;0&#8243; header_3_text_shadow_style=&#8221;preset4&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>Maras<\/h3>\n<h5><strong>Serie<\/strong><\/h5>\n<p style=\"text-align: justify\"><span>El Salvador, Honduras y Guatemala siguen bajo el r\u00e9gimen de terror que imponen las maras, con m\u00e1s de 10.500 asesinatos registrados en 2018 entre los tres pa\u00edses, 29 al d\u00eda. Unas cifras de homicidios similares a los que se pueden dar en caso de un conflicto armado. De hecho, cada vez m\u00e1s personas de estos pa\u00edses buscan refugio en Espa\u00f1a, sumando un total de 4.860 solicitudes de asilo el a\u00f1o pasado. Sin embargo, solo se resolvieron 320, de las cuales solo 15 ofrecieron protecci\u00f3n.\u00a0<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_4,1_4,1_4,1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;https:\/\/igualdad-constitucional.umh.es\/files\/2024\/12\/nacido_en_siria-250359912-mmed.jpeg&#8221; title_text=&#8221;nacido_en_siria-250359912-mmed&#8221; url_new_window=&#8221;on&#8221; align=&#8221;center&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; scroll_fade_enable=&#8221;on&#8221; scroll_fade=&#8221;0|14|14|100|0|100|100&#8243; scroll_scaling_enable=&#8221;on&#8221; scroll_scaling=&#8221;0|53|53|100|90%|100|100&#8243; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;8px&#8221; border_radii_last_edited=&#8221;off|desktop&#8221; box_shadow_style=&#8221;preset4&#8243; box_shadow_blur=&#8221;14px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243; url=&#8221;https:\/\/www.filmaffinity.com\/es\/film874222.html&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Abel||||||||&#8221; text_font_size=&#8221;16px&#8221; header_3_font=&#8221;Abel|700|on||||||&#8221; header_3_text_align=&#8221;justify&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_align=&#8221;justify&#8221; hover_enabled=&#8221;0&#8243; header_3_text_shadow_style=&#8221;preset4&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>Nacido en Siria<\/h3>\n<h5><strong>Pel\u00edcula<\/strong> r<span>ecomendada por: Esther Beltra\u0301n Candela, Lucia candel Pe\u0301rez, Laura Martinez Gil,\u00a0 Patricia Rodes Martinez (1 \u00ba DADE 2023)<\/span><\/h5>\n<p style=\"text-align: justify\"><span>Desde que comenzara la guerra civil en Siria unos cuatro millones de sirios han tenido que abandonar el pa\u00eds huyendo de la violencia. M\u00e1s de la mitad de ellos son ni\u00f1os. &#8220;2016. Nacido en Siria&#8221; narra el periplo de esos refugiados desde el punto de vista de los ni\u00f1os que viven este calvario: los abusos de las mafias, las inclemencias del mar, la incertidumbre sobre un futuro al que la gran mayor\u00eda se enfrenta apenas con lo puesto, y descubriremos que llegar a su destino es s\u00f3lo el comienzo de una nueva odisea: la de la integraci\u00f3n en una tierra nueva y, en muchos casos, hostil. El mayor \u00e9xodo de refugiados desde la Segunda Guerra Mundial visto a un metro y medio de altura a trav\u00e9s de siete historias de guerra, sufrimiento y desesperaci\u00f3n\u2026 pero tambi\u00e9n de superaci\u00f3n, inocencia, valor y esperanza, que nos permitir\u00e1n entender qu\u00e9 significa haber nacido en Siria.\u00a0(FILMAFFINITY)<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;https:\/\/igualdad-constitucional.umh.es\/files\/2024\/12\/schindler_s_list-473662617-mmed.jpeg&#8221; title_text=&#8221;schindler_s_list-473662617-mmed&#8221; url_new_window=&#8221;on&#8221; align=&#8221;center&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; scroll_fade_enable=&#8221;on&#8221; scroll_fade=&#8221;0|14|14|100|0|100|100&#8243; scroll_scaling_enable=&#8221;on&#8221; scroll_scaling=&#8221;0|53|53|100|90%|100|100&#8243; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;8px&#8221; border_radii_last_edited=&#8221;off|desktop&#8221; box_shadow_style=&#8221;preset4&#8243; box_shadow_blur=&#8221;14px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243; url=&#8221;https:\/\/www.filmaffinity.com\/es\/film656153.html&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Abel||||||||&#8221; text_font_size=&#8221;16px&#8221; header_3_font=&#8221;Abel|700|on||||||&#8221; header_3_text_align=&#8221;justify&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_align=&#8221;justify&#8221; hover_enabled=&#8221;0&#8243; header_3_text_shadow_style=&#8221;preset4&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>La lista de Schindlert<\/h3>\n<h5><strong>Pel\u00edcula<\/strong> <span>recomendada por: Fiorella Bermudez, Paula Mart\u00ednez, Natalie S\u00e1nchez, Teresa Saura (1\u00ba DADE 2023)<\/span><\/h5>\n<p style=\"text-align: justify\"><span>Oskar Schindler (Liam Neeson), un empresario alem\u00e1n de gran talento para las relaciones p\u00fablicas, busca ganarse la simpat\u00eda de los nazis de cara a su beneficio personal. Despu\u00e9s de la invasi\u00f3n de Polonia por los alemanes en 1939, Schindler consigue, gracias a sus relaciones con los altos jerarcas nazis, la propiedad de una f\u00e1brica de Cracovia. All\u00ed emplea a cientos de operarios jud\u00edos, cuya explotaci\u00f3n le hace prosperar r\u00e1pidamente, gracias sobre todo a su gerente Itzhak Stern (Ben Kingsley), tambi\u00e9n jud\u00edo. Pero conforme la guerra avanza, Schindler y Stern comienzan ser conscientes de que a los jud\u00edos que contratan, los salvan de una muerte casi segura en el temible campo de concentraci\u00f3n de Plaszow, que lidera el Comandante nazi Amon Goeth (Ralph Fiennes), un hombre cruel que disfruta ejecutando jud\u00edos.\u00a0(FILMAFFINITY)<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_4,1_4,1_4,1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;https:\/\/igualdad-constitucional.umh.es\/files\/2024\/12\/Mas-que-cifras.jpg&#8221; title_text=&#8221;M\u00e1s que cifras&#8221; url_new_window=&#8221;on&#8221; align=&#8221;center&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; scroll_fade_enable=&#8221;on&#8221; scroll_fade=&#8221;0|14|14|100|0|100|100&#8243; scroll_scaling_enable=&#8221;on&#8221; scroll_scaling=&#8221;0|53|53|100|90%|100|100&#8243; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;8px&#8221; border_radii_last_edited=&#8221;off|desktop&#8221; box_shadow_style=&#8221;preset4&#8243; box_shadow_blur=&#8221;14px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243; url=&#8221;https:\/\/www.masquecifras.org\/&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Abel||||||||&#8221; text_font_size=&#8221;16px&#8221; header_3_font=&#8221;Abel|700|on||||||&#8221; header_3_text_align=&#8221;justify&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_align=&#8221;justify&#8221; hover_enabled=&#8221;0&#8243; header_3_text_shadow_style=&#8221;preset4&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>M\u00e1s que cifras<\/h3>\n<h5><strong>P\u00e1gina web<\/strong><\/h5>\n<p style=\"text-align: justify\"><span>P\u00e1gina que contiene los datos y estad\u00edsticas de las solicitudes de Asilo y protecci\u00f3n subsidiaria.<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;https:\/\/igualdad-constitucional.umh.es\/files\/2024\/12\/CEAR.jpg&#8221; title_text=&#8221;CEAR&#8221; url_new_window=&#8221;on&#8221; align=&#8221;center&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; scroll_fade_enable=&#8221;on&#8221; scroll_fade=&#8221;0|14|14|100|0|100|100&#8243; scroll_scaling_enable=&#8221;on&#8221; scroll_scaling=&#8221;0|53|53|100|90%|100|100&#8243; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;8px&#8221; border_radii_last_edited=&#8221;off|desktop&#8221; box_shadow_style=&#8221;preset4&#8243; box_shadow_blur=&#8221;14px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; url=&#8221;https:\/\/www.cear.es\/&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Abel||||||||&#8221; text_font_size=&#8221;16px&#8221; header_3_font=&#8221;Abel|700|on||||||&#8221; header_3_text_align=&#8221;justify&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_align=&#8221;justify&#8221; hover_enabled=&#8221;0&#8243; header_3_text_shadow_style=&#8221;preset4&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>CEAR<\/h3>\n<h5><strong>P\u00e1gina web<\/strong><\/h5>\n<p style=\"text-align: justify\"><span>La Comisi\u00f3n Espa\u00f1ola de Ayuda al Refugiado, CEAR, lleva desde 1979 defendiendo el derecho de asilo y los derechos humanos, promoviendo el desarrollo integral de las personas refugiadas que vienen huyendo de conflictos b\u00e9licos o de violaci\u00f3n de DDHH, solicitantes de asilo, ap\u00e1tridas y migrantes con necesidad de protecci\u00f3n internacional y\/o en riesgo de exclusi\u00f3n social.<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_4,1_4,1_4,1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;https:\/\/igualdad-constitucional.umh.es\/files\/2024\/12\/descarga-7.jpeg&#8221; title_text=&#8221;descarga-7&#8243; url_new_window=&#8221;on&#8221; align=&#8221;center&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; scroll_fade_enable=&#8221;on&#8221; scroll_fade=&#8221;0|14|14|100|0|100|100&#8243; scroll_scaling_enable=&#8221;on&#8221; scroll_scaling=&#8221;0|53|53|100|90%|100|100&#8243; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;8px&#8221; border_radii_last_edited=&#8221;off|desktop&#8221; box_shadow_style=&#8221;preset4&#8243; box_shadow_blur=&#8221;14px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243; url=&#8221;https:\/\/www.rtve.es\/noticias\/20230605\/mapa-refugiados-guerra-ucrania\/2297260.shtml&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Abel||||||||&#8221; text_font_size=&#8221;16px&#8221; header_3_font=&#8221;Abel|700|on||||||&#8221; header_3_text_align=&#8221;justify&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_align=&#8221;justify&#8221; hover_enabled=&#8221;0&#8243; header_3_text_shadow_style=&#8221;preset4&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>El mapa de los refugiados de la guerra de Ucrania: m\u00e1s de ocho millones de personas han abandonado el pa\u00eds<\/h3>\n<h5><strong>Noticia<\/strong> r<span>ecomendada por Daria Kuzmenko (1\u00ba DADE 2023)\u00a0<\/span><\/h5>\n<p style=\"text-align: justify\"><span>La guerra en Ucrania ha obligado a m\u00e1s de ocho millones de refugiados a salir del pa\u00eds y buscar protecci\u00f3n en otros estados europeos, seg\u00fan los \u00faltimos datos difundidos por el Alto Comisionado de Naciones Unidas para los Refugiados (ACNUR). De todos ellos, 4,8 millones cuentan con protecci\u00f3n temporal o un estatus similar en los lugares de acogida. Adem\u00e1s, hay otros 5,3 millones de desplazados internos, personas que han abandonado sus hogares y que ahora viven en otros puntos de Ucrania, seg\u00fan la \u00faltima estimaci\u00f3n de la Organizaci\u00f3n Internacional para las Migraciones (OIM).<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;https:\/\/igualdad-constitucional.umh.es\/files\/2024\/12\/descarga-2-7.jpeg&#8221; title_text=&#8221;descarga (2)-7&#8243; url_new_window=&#8221;on&#8221; align=&#8221;center&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; scroll_fade_enable=&#8221;on&#8221; scroll_fade=&#8221;0|14|14|100|0|100|100&#8243; scroll_scaling_enable=&#8221;on&#8221; scroll_scaling=&#8221;0|53|53|100|90%|100|100&#8243; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;8px&#8221; border_radii_last_edited=&#8221;off|desktop&#8221; box_shadow_style=&#8221;preset4&#8243; box_shadow_blur=&#8221;14px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243; url=&#8221;https:\/\/www.filmaffinity.com\/es\/film811732.html&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Abel||||||||&#8221; text_font_size=&#8221;16px&#8221; header_3_font=&#8221;Abel|700|on||||||&#8221; header_3_text_align=&#8221;justify&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_align=&#8221;justify&#8221; hover_enabled=&#8221;0&#8243; header_3_text_shadow_style=&#8221;preset4&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>Blue Bayou<\/h3>\n<h5><strong>Pel\u00edcula<\/strong> <span>recomendada por Miryam Caballero, Mari\u0301a Cases, Vanesa Encheva, Mari\u0301a Lo\u0301pez, Nerea Murcia, Nu\u0301ria Zafra (1\u00ba DADE 2023)<\/span><\/h5>\n<p style=\"text-align: justify\"><span>En Luisiana, un hombre adulto de nombre Antonio, coreano adoptado y criado en Estados Unidos, se ve obligado a enfrentarse a su pasado -y lo que significa para su propio futuro y el de su familia- cuando de manera inesperada se enfrenta a la deportaci\u00f3n.\u00a0(FILMAFFINITY)<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_4,1_4,1_4,1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;https:\/\/igualdad-constitucional.umh.es\/files\/2024\/12\/descarga-1-9.jpeg&#8221; title_text=&#8221;descarga (1)-9&#8243; url_new_window=&#8221;on&#8221; align=&#8221;center&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; scroll_fade_enable=&#8221;on&#8221; scroll_fade=&#8221;0|14|14|100|0|100|100&#8243; scroll_scaling_enable=&#8221;on&#8221; scroll_scaling=&#8221;0|53|53|100|90%|100|100&#8243; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;8px&#8221; border_radii_last_edited=&#8221;off|desktop&#8221; box_shadow_style=&#8221;preset4&#8243; box_shadow_blur=&#8221;14px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; url=&#8221;https:\/\/www.filmaffinity.com\/es\/film947523.html&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Abel||||||||&#8221; text_font_size=&#8221;16px&#8221; header_3_font=&#8221;Abel|700|on||||||&#8221; header_3_text_align=&#8221;justify&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_align=&#8221;justify&#8221; hover_enabled=&#8221;0&#8243; header_3_text_shadow_style=&#8221;preset4&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>Figuras ocultas<\/h3>\n<h5><strong>Pel\u00edcula<\/strong> <span>recomendada por Natalia del Rio Parrado y Roc\u00edo P\u00e9rez Miralles (1\u00ba DADE 2023)\u00a0<\/span><\/h5>\n<p style=\"text-align: justify\"><span>Narra la historia nunca contada de tres brillantes mujeres cient\u00edficas afroamericanas, Katherine G. Johnson (Taraji P. Henson), Dorothy Vaughan (Octavia Spencer) y Mary Jackson (Janelle Mon\u00e1e), que trabajaron en la agencia espacial NASA a comienzos de los a\u00f1os sesenta (en plena carrera espacial, y asimismo en mitad de la lucha por los derechos civiles de los negros estadounidenses) en el ambicioso proyecto de poner en \u00f3rbita al astronauta John Glenn. (FILMAFFINITY)<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;https:\/\/igualdad-constitucional.umh.es\/files\/2024\/12\/14-Km.jpg&#8221; title_text=&#8221;14 Km&#8221; url_new_window=&#8221;on&#8221; align=&#8221;center&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; scroll_fade_enable=&#8221;on&#8221; scroll_fade=&#8221;0|14|14|100|0|100|100&#8243; scroll_scaling_enable=&#8221;on&#8221; scroll_scaling=&#8221;0|53|53|100|90%|100|100&#8243; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;8px&#8221; border_radii_last_edited=&#8221;off|desktop&#8221; box_shadow_style=&#8221;preset4&#8243; box_shadow_blur=&#8221;14px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; url=&#8221;https:\/\/www.youtube.com\/watch?v=4S-7UTmDFms&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Abel||||||||&#8221; text_font_size=&#8221;16px&#8221; header_3_font=&#8221;Abel|700|on||||||&#8221; header_3_text_align=&#8221;justify&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_align=&#8221;justify&#8221; hover_enabled=&#8221;0&#8243; header_3_text_shadow_style=&#8221;preset4&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>14 kil\u00f3metros<\/h3>\n<h5><strong>Pel\u00edcula<\/strong><\/h5>\n<p style=\"text-align: justify\"><span>&#8220;Catorce kil\u00f3metros&#8221; es la distancia que separa \u00c1frica de Europa por el Estrecho de Gibraltar. En \u00c1frica hay millones de personas cuyo \u00fanico objetivo es entrar en Europa porque el hambre no entiende de fronteras ni de barreras. Este largometraje quiere aportar un poco de luz a las sombras de la inmigraci\u00f3n. Buba Kanou, Violeta Sunny Sunny y Mukela Kanou emprenden un largo y peligroso viaje hacia Europa a trav\u00e9s de Mali, N\u00edger, Argelia y Marruecos y muestran ciertos aspectos no muy conocidos de la realidad africana (FILMAFFINITY).<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_4,1_4,1_4,1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;https:\/\/igualdad-constitucional.umh.es\/files\/2024\/12\/Babel.jpg&#8221; title_text=&#8221;Babel&#8221; url_new_window=&#8221;on&#8221; align=&#8221;center&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; scroll_fade_enable=&#8221;on&#8221; scroll_fade=&#8221;0|14|14|100|0|100|100&#8243; scroll_scaling_enable=&#8221;on&#8221; scroll_scaling=&#8221;0|53|53|100|90%|100|100&#8243; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;8px&#8221; border_radii_last_edited=&#8221;off|desktop&#8221; box_shadow_style=&#8221;preset4&#8243; box_shadow_blur=&#8221;14px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; url=&#8221;https:\/\/www.youtube.com\/watch?v=UD5U2QdbQUI&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Abel||||||||&#8221; text_font_size=&#8221;16px&#8221; header_3_font=&#8221;Abel|700|on||||||&#8221; header_3_text_align=&#8221;justify&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_align=&#8221;justify&#8221; hover_enabled=&#8221;0&#8243; header_3_text_shadow_style=&#8221;preset4&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>Babel<\/h3>\n<h5><strong>Pel\u00edcula<\/strong><\/h5>\n<p style=\"text-align: justify\"><span>Ambientada en Marruecos, T\u00fanez, M\u00e9xico y Jap\u00f3n. Armados con un Winchester, dos muchachos marroqu\u00edes salen en busca del reba\u00f1o de cabras de la familia. En medio del silencio del desierto, deciden probar el rifle, sin conocer el alcance de la bala. En un instante, entran en colisi\u00f3n las vidas de cuatro grupos de personas que viven en tres continentes distintos (FILMAFFINITY).<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;https:\/\/igualdad-constitucional.umh.es\/files\/2024\/12\/Las-cartas-de-Alou.jpg&#8221; title_text=&#8221;Las cartas de Alou&#8221; url_new_window=&#8221;on&#8221; align=&#8221;center&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; scroll_fade_enable=&#8221;on&#8221; scroll_fade=&#8221;0|14|14|100|0|100|100&#8243; scroll_scaling_enable=&#8221;on&#8221; scroll_scaling=&#8221;0|53|53|100|90%|100|100&#8243; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;8px&#8221; border_radii_last_edited=&#8221;off|desktop&#8221; box_shadow_style=&#8221;preset4&#8243; box_shadow_blur=&#8221;14px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; url=&#8221;https:\/\/www.youtube.com\/watch?v=7SxzaTTtKgE&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Abel||||||||&#8221; text_font_size=&#8221;16px&#8221; header_3_font=&#8221;Abel|700|on||||||&#8221; header_3_text_align=&#8221;justify&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_align=&#8221;justify&#8221; hover_enabled=&#8221;0&#8243; header_3_text_shadow_style=&#8221;preset4&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>Las cartas de Alou<\/h3>\n<h5><strong>Pel\u00edcula<\/strong><\/h5>\n<p style=\"text-align: justify\"><span>Un grupo de africanos llega clandestinamente a las costas del sur de Espa\u00f1a. Entre ellos, est\u00e1 Alou, un senegal\u00e9s de 28 a\u00f1os. Como en Almer\u00eda le roban todas sus pertenencias, no tiene m\u00e1s remedio que dedicarse a la venta ambulante. Su \u00fanico placer son las cartas que escribe a su familia para contarles las peripecias de su aventura espa\u00f1ola (FILMAFFINITY).<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_4,1_4,1_4,1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;https:\/\/igualdad-constitucional.umh.es\/files\/2024\/12\/images.jpeg&#8221; title_text=&#8221;images&#8221; url_new_window=&#8221;on&#8221; align=&#8221;center&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; scroll_fade_enable=&#8221;on&#8221; scroll_fade=&#8221;0|14|14|100|0|100|100&#8243; scroll_scaling_enable=&#8221;on&#8221; scroll_scaling=&#8221;0|53|53|100|90%|100|100&#8243; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;8px&#8221; border_radii_last_edited=&#8221;off|desktop&#8221; box_shadow_style=&#8221;preset4&#8243; box_shadow_blur=&#8221;14px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; url=&#8221;https:\/\/www.filmaffinity.com\/es\/film780076.html&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Abel||||||||&#8221; text_font_size=&#8221;16px&#8221; header_3_font=&#8221;Abel|700|on||||||&#8221; header_3_text_align=&#8221;justify&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_align=&#8221;justify&#8221; hover_enabled=&#8221;0&#8243; header_3_text_shadow_style=&#8221;preset4&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>Las nadadoras<\/h3>\n<h5><strong>Pel\u00edcula<\/strong> (2022)<\/h5>\n<p style=\"text-align: justify\"><span>Una historia del viaje milagroso realizado por las hermanas nadadoras Yusra y Sarah Mardini que huyeron como refugiadas de la Siria devastada por la guerra para vivir una nueva vida en Europa y la oportunidad de competir en los Juegos Ol\u00edmpicos de R\u00edo de 2016. (FILMAFFINITY)<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;https:\/\/igualdad-constitucional.umh.es\/files\/2024\/12\/La-Terminal.jpg&#8221; title_text=&#8221;La Terminal&#8221; url_new_window=&#8221;on&#8221; align=&#8221;center&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; scroll_fade_enable=&#8221;on&#8221; scroll_fade=&#8221;0|14|14|100|0|100|100&#8243; scroll_scaling_enable=&#8221;on&#8221; scroll_scaling=&#8221;0|53|53|100|90%|100|100&#8243; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;8px&#8221; border_radii_last_edited=&#8221;off|desktop&#8221; box_shadow_style=&#8221;preset4&#8243; box_shadow_blur=&#8221;14px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; url=&#8221;https:\/\/www.youtube.com\/watch?v=sV2p833MdcA&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Abel||||||||&#8221; text_font_size=&#8221;16px&#8221; header_3_font=&#8221;Abel|700|on||||||&#8221; header_3_text_align=&#8221;justify&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_align=&#8221;justify&#8221; hover_enabled=&#8221;0&#8243; header_3_text_shadow_style=&#8221;preset4&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>La terminal<\/h3>\n<h5><strong>Pel\u00edcula<\/strong><\/h5>\n<p style=\"text-align: justify\"><span>Victor Navorski, un ciudadano de un peque\u00f1o pa\u00eds del Este europeo, se ve involuntariamente exiliado en la terminal internacional del aeropuerto JFK de Nueva York cuando estalla una guerra civil en su tierra de origen (FILMAFFINITY).<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_4,1_4,1_4,1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;https:\/\/igualdad-constitucional.umh.es\/files\/2024\/12\/Las-Tortugas-tambien-vuelan.jpg&#8221; title_text=&#8221;Las Tortugas tambi\u00e9n vuelan&#8221; url_new_window=&#8221;on&#8221; align=&#8221;center&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; scroll_fade_enable=&#8221;on&#8221; scroll_fade=&#8221;0|14|14|100|0|100|100&#8243; scroll_scaling_enable=&#8221;on&#8221; scroll_scaling=&#8221;0|53|53|100|90%|100|100&#8243; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;8px&#8221; border_radii_last_edited=&#8221;off|desktop&#8221; box_shadow_style=&#8221;preset4&#8243; box_shadow_blur=&#8221;14px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; url=&#8221;https:\/\/www.youtube.com\/watch?v=J4s_G-35BrM&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Abel||||||||&#8221; text_font_size=&#8221;16px&#8221; header_3_font=&#8221;Abel|700|on||||||&#8221; header_3_text_align=&#8221;justify&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_align=&#8221;justify&#8221; hover_enabled=&#8221;0&#8243; header_3_text_shadow_style=&#8221;preset4&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>Las tortugas tambi\u00e9n vuelan<\/h3>\n<h5><strong>Pel\u00edcula<\/strong><\/h5>\n<p style=\"text-align: justify\"><span>Los habitantes de un campo de refugiados del Kurdist\u00e1n iraqu\u00ed buscan desesperadamente una antena parab\u00f3lica para poder estar informados del inminente ataque americano contra Irak. Los ni\u00f1os del campamento, liderados por un chico al que llaman &#8220;Sat\u00e9lite&#8221;, se dedican a la recogida y venta de minas antipersona. Nuevos refugiados llegan al lugar: un joven mutilado, su hermana y un ni\u00f1o peque\u00f1o. Sat\u00e9lite quedar\u00e1 prendado de la triste belleza de la joven (FILMAFFINITY).<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;https:\/\/igualdad-constitucional.umh.es\/files\/2024\/12\/En-tierra-de-nadie.jpg&#8221; title_text=&#8221;En tierra de nadie&#8221; url_new_window=&#8221;on&#8221; align=&#8221;center&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; scroll_fade_enable=&#8221;on&#8221; scroll_fade=&#8221;0|14|14|100|0|100|100&#8243; scroll_scaling_enable=&#8221;on&#8221; scroll_scaling=&#8221;0|53|53|100|90%|100|100&#8243; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;8px&#8221; border_radii_last_edited=&#8221;off|desktop&#8221; box_shadow_style=&#8221;preset4&#8243; box_shadow_blur=&#8221;14px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; url=&#8221;https:\/\/www.youtube.com\/watch?v=lFDoCLa4fwQ&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Abel||||||||&#8221; text_font_size=&#8221;16px&#8221; header_3_font=&#8221;Abel|700|on||||||&#8221; header_3_text_align=&#8221;justify&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_align=&#8221;justify&#8221; hover_enabled=&#8221;0&#8243; header_3_text_shadow_style=&#8221;preset4&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>En tierra de nadie<\/h3>\n<h5><strong>Pel\u00edcula<\/strong><\/h5>\n<p style=\"text-align: justify\"><span>Guerra de Bosnia, 1993. Dos soldados de bandos distintos, un bosnio y un serbio, se encuentran atrapados entre las l\u00edneas enemigas, en tierra de nadie. Un sargento de los cascos azules de las Naciones Unidas se dispone a ayudarlos, contraviniendo las \u00f3rdenes de sus superiores. Los medios de comunicaci\u00f3n no tardan en convertir el asunto en un show medi\u00e1tico de car\u00e1cter internacional. Mientras la tensi\u00f3n b\u00e9lica crece y la prensa espera pacientemente nuevas noticias, los dos soldados intentar\u00e1n por todos los medios salir con vida de tal situaci\u00f3n (FILMAFFINITY).<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_4,1_4,1_4,1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;https:\/\/igualdad-constitucional.umh.es\/files\/2024\/12\/Profesor-Lazhar.jpg&#8221; title_text=&#8221;Profesor Lazhar&#8221; url_new_window=&#8221;on&#8221; align=&#8221;center&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; scroll_fade_enable=&#8221;on&#8221; scroll_fade=&#8221;0|14|14|100|0|100|100&#8243; scroll_scaling_enable=&#8221;on&#8221; scroll_scaling=&#8221;0|53|53|100|90%|100|100&#8243; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;8px&#8221; border_radii_last_edited=&#8221;off|desktop&#8221; box_shadow_style=&#8221;preset4&#8243; box_shadow_blur=&#8221;14px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; url=&#8221;https:\/\/www.youtube.com\/watch?v=W6MHmMSenIM&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Abel||||||||&#8221; text_font_size=&#8221;16px&#8221; header_3_font=&#8221;Abel|700|on||||||&#8221; header_3_text_align=&#8221;justify&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_align=&#8221;justify&#8221; hover_enabled=&#8221;0&#8243; header_3_text_shadow_style=&#8221;preset4&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>El profesor Lazhar<\/h3>\n<h5><strong>Pel\u00edcula<\/strong><\/h5>\n<p style=\"text-align: justify\"><span>Bachir Lazhar, un inmigrante procedente de Argelia, fue contratado r\u00e1pidamente para sustituir a una profesora a pesar de que todav\u00eda se estaba recuperando de una tragedia personal. \u00c9l llega a conocer a sus alumnos a pesar de la diferencia cultural evidente desde el primer d\u00eda de clase y de su dificultad para adaptarse a las limitaciones del sistema escolar (FILMAFFINITY).<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;https:\/\/igualdad-constitucional.umh.es\/files\/2024\/12\/Una-vida-mejor.jpg&#8221; title_text=&#8221;Una vida mejor&#8221; url_new_window=&#8221;on&#8221; align=&#8221;center&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; scroll_fade_enable=&#8221;on&#8221; scroll_fade=&#8221;0|14|14|100|0|100|100&#8243; scroll_scaling_enable=&#8221;on&#8221; scroll_scaling=&#8221;0|53|53|100|90%|100|100&#8243; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;8px&#8221; border_radii_last_edited=&#8221;off|desktop&#8221; box_shadow_style=&#8221;preset4&#8243; box_shadow_blur=&#8221;14px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; url=&#8221;https:\/\/www.youtube.com\/watch?v=y9oqqNDU9hs&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Abel||||||||&#8221; text_font_size=&#8221;16px&#8221; header_3_font=&#8221;Abel|700|on||||||&#8221; header_3_text_align=&#8221;justify&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_align=&#8221;justify&#8221; hover_enabled=&#8221;0&#8243; header_3_text_shadow_style=&#8221;preset4&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>Una vida mejor<\/h3>\n<h5><strong>Pel\u00edcula<\/strong><\/h5>\n<p style=\"text-align: justify\"><span>La pel\u00edcula narra la historia de Carlos Galindo, un jardinero de cuarenta a\u00f1os de edad, e inmigrante indocumentado mexicano, que realiza trabajos en las haciendas de los patrones m\u00e1s ricos en el \u00e9ste de California. Carlos es una persona honesta y decente, y cumple todos los d\u00edas su trabajo a rajatabla (FILMAFFINITY).<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_4,1_4,1_4,1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;https:\/\/igualdad-constitucional.umh.es\/files\/2024\/12\/Balseros.jpg&#8221; title_text=&#8221;Balseros&#8221; url_new_window=&#8221;on&#8221; align=&#8221;center&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; scroll_fade_enable=&#8221;on&#8221; scroll_fade=&#8221;0|14|14|100|0|100|100&#8243; scroll_scaling_enable=&#8221;on&#8221; scroll_scaling=&#8221;0|53|53|100|90%|100|100&#8243; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;8px&#8221; border_radii_last_edited=&#8221;off|desktop&#8221; box_shadow_style=&#8221;preset4&#8243; box_shadow_blur=&#8221;14px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; url=&#8221;https:\/\/www.youtube.com\/watch?v=11DDeF2LX70&#8243; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Abel||||||||&#8221; text_font_size=&#8221;16px&#8221; header_3_font=&#8221;Abel|700|on||||||&#8221; header_3_text_align=&#8221;justify&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_align=&#8221;justify&#8221; hover_enabled=&#8221;0&#8243; header_3_text_shadow_style=&#8221;preset4&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>Balseros<\/h3>\n<h5><strong>Pel\u00edcula<\/strong><\/h5>\n<p style=\"text-align: justify\"><span>En el verano del 1994, un equipo de reporteros de la Televisi\u00f3n de Catalu\u00f1a film\u00f3 y entrevist\u00f3 a siete cubanos y a sus familias durante los d\u00edas en que preparaban su huida de Cuba utilizando unas balsas de confecci\u00f3n casera. Alg\u00fan tiempo despu\u00e9s, en el campamento de refugiados de la base estadounidense de Guant\u00e1namo, los reporteros pudieron localizar a los que hab\u00edan sido rescatados en alta mar (FILMAFFINITY).<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;https:\/\/igualdad-constitucional.umh.es\/files\/2024\/12\/The-Visitor.jpg&#8221; title_text=&#8221;The Visitor&#8221; url_new_window=&#8221;on&#8221; align=&#8221;center&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; scroll_fade_enable=&#8221;on&#8221; scroll_fade=&#8221;0|14|14|100|0|100|100&#8243; scroll_scaling_enable=&#8221;on&#8221; scroll_scaling=&#8221;0|53|53|100|90%|100|100&#8243; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;8px&#8221; border_radii_last_edited=&#8221;off|desktop&#8221; box_shadow_style=&#8221;preset4&#8243; box_shadow_blur=&#8221;14px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; url=&#8221;https:\/\/www.youtube.com\/watch?v=Q1e3OsQt0u0&#8243; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Abel||||||||&#8221; text_font_size=&#8221;16px&#8221; header_3_font=&#8221;Abel|700|on||||||&#8221; header_3_text_align=&#8221;justify&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_align=&#8221;justify&#8221; hover_enabled=&#8221;0&#8243; header_3_text_shadow_style=&#8221;preset4&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>The Visitor<\/h3>\n<h5><strong>Pel\u00edcula<\/strong><\/h5>\n<p style=\"text-align: justify\"><span>Walter Vale, un profesor universitario de Connecticut que viaja a Nueva York, se ve envuelto en la vida de una joven pareja inmigrante a la que encuentra viviendo en su apartamento de Manhattan, un piso que apenas visita. Tarek, un m\u00fasico sirio, y Zainab, su novia senegalesa, viven all\u00ed porque alguien les ha alquilado el apartamento, haci\u00e9ndose pasar por el due\u00f1o (FILMAFFINITY).<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_4,1_4,1_4,1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;https:\/\/igualdad-constitucional.umh.es\/files\/2024\/12\/Un-novio-para-Yasmina.jpg&#8221; title_text=&#8221;Un novio para Yasmina&#8221; url_new_window=&#8221;on&#8221; align=&#8221;center&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; scroll_fade_enable=&#8221;on&#8221; scroll_fade=&#8221;0|14|14|100|0|100|100&#8243; scroll_scaling_enable=&#8221;on&#8221; scroll_scaling=&#8221;0|53|53|100|90%|100|100&#8243; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;8px&#8221; border_radii_last_edited=&#8221;off|desktop&#8221; box_shadow_style=&#8221;preset4&#8243; box_shadow_blur=&#8221;14px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; url=&#8221;https:\/\/www.youtube.com\/watch?v=ZO1Sms8LuEc&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Abel||||||||&#8221; text_font_size=&#8221;16px&#8221; header_3_font=&#8221;Abel|700|on||||||&#8221; header_3_text_align=&#8221;justify&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_align=&#8221;justify&#8221; hover_enabled=&#8221;0&#8243; header_3_text_shadow_style=&#8221;preset4&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>Un novio para Yasmina<\/h3>\n<h5><strong>Pel\u00edcula<\/strong><\/h5>\n<p style=\"text-align: justify\"><span>Yasmina es una joven marroqu\u00ed culta y atractiva que ha venido a Espa\u00f1a con la intenci\u00f3n de continuar sus estudios universitarios. Vive en un pueblo extreme\u00f1o con su hermano Abdel y otros marroqu\u00edes que trabajan en la agricultura. Yasmina no acaba de encajar ni con los marroqu\u00edes ni con los espa\u00f1oles, y el \u00fanico lugar en el que parece encontrarse a gusto es en una asociaci\u00f3n de acogida de inmigrantes. Yasmina vive un apasionado y at\u00edpico noviazgo con Javi, un joven polic\u00eda municipal. La relaci\u00f3n funciona bien hasta que le plantea la cuesti\u00f3n del matrimonio. Javi empieza a desconfiar y, sinti\u00e9ndose utilizado, se niega a casarse con ella (FILMAFFINITY).<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>RecomendacionesT5. Las condiciones de ejercicio de los derechos: titularidadLos extranjeros gozar\u00e1n en Espa\u00f1a de las libertades p\u00fablicas que garantiza el presente T\u00edtulo en los t\u00e9rminos que establezcan los tratados y la ley (13.1 CE)Ad\u00fa Pel\u00edcula recomendada por Marta Blasco Agull\u00f3, Mariami Khachidze Kalatozishli, Luc\u00eda L\u00f3pez Maci\u00e1, Cristian Mart\u00ednez Guill\u00f3 Campello Zurita, Jaime, Esclapez Marco, Miguel [&hellip;]<\/p>\n","protected":false},"author":8660,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_links_to":"","_links_to_target":""},"_links":{"self":[{"href":"https:\/\/igualdad-constitucional.umh.es\/ca\/wp-json\/wp\/v2\/pages\/677"}],"collection":[{"href":"https:\/\/igualdad-constitucional.umh.es\/ca\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/igualdad-constitucional.umh.es\/ca\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/igualdad-constitucional.umh.es\/ca\/wp-json\/wp\/v2\/users\/8660"}],"replies":[{"embeddable":true,"href":"https:\/\/igualdad-constitucional.umh.es\/ca\/wp-json\/wp\/v2\/comments?post=677"}],"version-history":[{"count":0,"href":"https:\/\/igualdad-constitucional.umh.es\/ca\/wp-json\/wp\/v2\/pages\/677\/revisions"}],"wp:attachment":[{"href":"https:\/\/igualdad-constitucional.umh.es\/ca\/wp-json\/wp\/v2\/media?parent=677"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}